The King James Boys steeps their latest single, “I Can Hear the Savior”, in the same eternal virtues that define the best bluegrass. The five-piece band relies on a classic configuration of guitar, banjo, bass, mandolin, and fiddle without inducing eye rolls for its predictability. Informed listeners and observers of the genre would argue that well-executed predictability appeals to bluegrass, classic country, and blues devotees. Americana music, in its varied forms, comes with certain expectations that its adherents demand, and The King James Boys deliver on every count.
Their approach to gospel-oriented material is inspirational. They are unapologetic about their faith. However, it is notable that they don’t come across as preachy here, but rather attest to the difference that God makes in their individual lives. This approach provides a valuable lifeline for broadening the song’s appeal. The laser focus they bring to the composition and performance is another strong suit that will dazzle scores of waiting listeners. There are no spotlights for any individual band members despite their obvious talents. The King James Boys play as a band, and it makes for a far more unified and satisfying performance.
Their lyrical acumen is tidy, to the point, and deceptively poetic. However, they communicate with plain-spoken conversational language that understands their target audience. The diction of a King James Boys’ song recalls classic material in this vein from legendary acts such as The Stanley Brothers, among others, without ever sounding imitative. Bandleader, lead vocalist, and guitarist Randy Spencer has steered the band for over thirty years, and his presence has forged an unshakable identity for this unit despite personnel changes.
They never linger too long. “I Can Hear the Savior” is less than two and a half minutes long. You won’t feel cheated. The duration is indicative of their previously mentioned focus. The King James Boys began the recording process with a finished song and certainty about what they wanted to say. It doesn’t meander.
Audiences will respond to that confidence and conviction. They will likewise enjoy an arrangement that crackles with energy from the outset. There are no lulls during this song. Lesser musicians might wilt under the tempo that the King James Boys set for themselves. However, Randy Spencer and company navigate their way through the song’s entirety without ever placing a foot (or hand) wrong, and their ability to perform such challenging material that’s full of emotion sets them apart from the pack.
It practically glows with wonder and gratitude. Luminous harmony singing nearly outshines Spencer’s lead vocals and elevates the song. The feeling emanating from this single is unreserved gratitude and devotion. The King James Boys don’t accomplish it through hackneyed gimmickry, cheap theatrics, or cliched devices. It radiates from each note, syllable, and melody line woven into the song’s fabric. Songs such as this are timeless, and we’re lucky to have them. Our modern musical landscape is better off with them around. Long may The King James Boys continue to sing, play, praise, and create.
Chadwick Easton