Todd Christoffel’s twenty-one track collection A Brief History of Eternity spans several styles of music while retaining the same core throughout. Seattle-based Christoffel works with guitarist Chris Faget from Don’t Ask, a band Christoffel fronts and writes songs for, but it’s Christoffel’s show beyond that. His acoustic guitar playing and vocals are key cornerstones in his musical
Chadwick Easton
Dark Below’s new single “Tense” is a significant step forward for the Missouri-based power trio and a harbinger of their full-length album to come. They have one EP, 2017’s self-titled effort, and a 2019 single under their belt, but “Tense” pushes the band’s songwriting into intensely personal as well as physical territory while keeping it
Tia Penny is an Arizona-based singer/ songwriter/ musician with an exceptional range of talent for such a young age. She recorded her first two singles in New York City at A Diamond Heart Production and her first release, “Joyride” is scheduled for September 2022. As a young teen, she had National and local TV spots,
The Mike Montrey Band’s new single “I Can’t Wait Any Longer” from his forthcoming album release Searching for My Soul has dual value. It serves as an excellent introduction for newcomers to Montrey’s songwriting and reaffirms his growing talents for those following his work. He’s enlisted the expertise of two-time Grammy winner Marc Swersky to produce the
“LMBT1” is the forthcoming single by Seattle-based Electronic Dance duo, Sugar Addikt. The single is from what will be their soon-to-be released album, that is still unnamed as of this writing. The duo currently consists of Vocalist, Vanessa Littrell, and Musician/Backing Vocalist, Mario Inchausi. Both have extensive backgrounds, and show an affinity for performance and
Instrumental albums with this sort of diversity aren’t written and recorded with ideas of scoring big time in fame’s great lottery. They are, instead, planned, written, and recorded as labors of love. For artistic and communal, if they find an audience, value alone. Meteorange’s Bubble 1 is the first in a planned series of releases, but such
There’s a jagged edge to “Dreams” that just might cut you if you’re listening to it long enough, but if you think this is the lone example of imposing musicality to be found in the new record from Andrea Plamondon, Songs for Forever, you’re in for quite the surprise this July. Rather than streamlining tracks
Born in New Bern, NC and raised down a 7 mile dirt road deep in the woods, Chris Hollacheck grew up in the kind of setting you’d picture being in a country song. His musical journey started very early when he learned cello at 3 years old! Chris has also played piano, trumpet, baritone, and
How would you classify your music? I am operatically trained, but have written and performed music in various genres including progressive rock, pop rock, Celtic rock, Middle Eastern, classical and electro pop and pop rap. Who are some of your top 5 musical influences? The Beatles, Dead Can Dance, the Eurythmics, Pavarotti, and Nusrat Fateh
Nostalgia can be a great motivator, both for musicians and men who think they’re destined to invent the time machine; there’s a double-edged sword when it comes to living in the past through memories and knick-knacks, of course, but for the most part, nostalgia does an exceptional deal to propel good ideas towards greatness. Heading
When three cousins form a band, the results can generally be a mixed bag. Working with family can either make or break any project, at least based on my time around the extended family during the holiday season, so when a band pops up on the radar that is comprised solely of family members, I’m
I believe Rebecca “DawgGone” Davis woke up one day and said, “Fuck it, I’m doing it.” I’m sure she thought for years about writing, recording, and releasing her own songs, but life has a way of either creating ready-made excuses to ignore that voice calling us from over the distant hill or else throwing up
Alec Blake’s techno is already well on its way toward establishing him as one of the genre’s brightest creative talents. The single “I Believed In You” mixes together many of the best elements defining techno, but dance and pop as well, into a seamless musical package. It is an expression of personal disappointment in a
Jason Bennett brings home the “Cows” on his new full length album with something to talk about at every turn, and a surprise or two here and there. Having said that, I’m just getting to know this artist and like what I’m hearing so far, with Cows sure to lead me back to his first
Good things take time, sings the perky Christen Cooper in the new track, “That Kind Of Guy”. Co-written with Karen Kiley and Steve Smentek, “That Kind Of Guy” is Cooper’s latest release. Born and raised in the Intermountain region U.S.A, Cooper is quickly establishing herself to being in line as one of Nashville’s next big
A New Heart from Kevin Thomas Band is a transformative pop-rock-Americana record. Packed with rich, amber-like acoustic guitar and bright electric guitar shapes, A New Heart rapidly makes its way to the listener’s heart. This album, flush with California tones, also contains a healthy mix of soulful organ and some groovy, breezy beats. Based in San Diego, Thomas
Better Days is the new EP from Chris McCooey. Combining the heartfelt guitar melodies of yesteryear with a new blend of rock and pop, fans of any genre will be moving along to the six songs McCooey has so carefully crafted. Standouts like “Fade To Black” and “We Found Love” come later in the EP, but
Modern indie can be whatever you want it to be. That’s kinda the magical thing about the current state of music, anyone can make anything and if it’s good, it finds its audience. For the eclectically-monikered CrashMonkeys (one word, Capital-C, Capital-M), they’re about as indie as they come. Based out of the lovely, beautiful Santa
The art of choosing a band name is as vital as the art of actually crafting music; there’s plenty of debate as to what makes or breaks the ruling on a good band name versus a bad band name, but the fact of the matter is this: when you know, you know. For Melbourne’s alt-country
The Chillbumps’ Welcome to Our Arbor Day Fair was released over three decades ago but sounds like it could have been written and recorded yesterday. It was uncommon, despite REM, for a proto-alternative act to emerge out of the Deep South, but the Alabama five-member outfit never got the memo. Instead, the five one-time Auburn University students
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