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The beautiful red headed bombshell, one of New York’s nightlife extravaganzas and the soul of Rita Hayworth, Quinn Lemley has made a name for herself as the star of Burlesque, Broadway and the Silver Screen. “The Heat is On” allows Quinn to show the world the very essence of Rita Hayward through her own acting
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The Grascals’ 20 is a thirteen-track outing that commemorates the band’s improbably successful 20-year run promoting a rather hoary and niche style of popular music. What they’re peddling, instead, is a continually vital form of music that encourages community, shows tremendous musicianship, and never fails to entertain listeners. A constant balance between today and yesterday distinguishes their
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“Waterfall” supplies us with a notable example of that talent. Her new single from a forthcoming EP release bursts from the speakers with engaging physicality. Grammy-winning producer Marc Swersky intuitively grasps how to frame Jules’ strengths for maximum effect. He pushes her personable vocals to the forefront without ever upsetting the overall presentation and buttresses
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Blonde & Grey, the magnetic duo consisting of Kathy Olsen and Neil Friend, has once again proven that they are more than just a band—they are a sonic experience. Their latest album, Drifting Through The Universe, is a transcendent mix of pop-rock nostalgia and fresh, innovative sounds. With their distinctive blend of emotive vocals and
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It’s impressive to hear how well K-Bust balances a consistent stylistic approach without ever imitating herself. This stage name for Chilean-born Karla Bustamante provides an energetic vehicle for her musical artistry; a single listen supplies ample proof that Bustamante is a “lifer”. Her third album Rebirth enjoys an unity of sound I associate with the most assured
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Nick Chandler and Delivered’s new release, a single entitled “Old Devil’s Dream”, is the band’s first foray since unleashing their 2022 full-length Silver Bird on an unsuspecting bluegrass community. Chandler’s prodigious mandolin playing, guitarist Spencer Atkinson, bassist Gary Trivette, and banjo player Jake Burrows share that rare telepathic bond that seemingly great musical units, regardless of
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Man, let me tell you something groovy about NYMPHYA’s latest album, What Have I Forgotten? As a seasoned traveler of the psychedelic landscape—think back to the days when the Grateful Dead were weaving their magic, and everyone was wearing tie-dye and saying “far out”—I’ve seen a lot of music come and go. But let me
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Vincent Covello, the seasoned adult contemporary singer-songwriter known for his light jazz and pop sensibilities, has struck a resonant chord with his latest album, “Torchlights.” Dropping on Friday, August 2nd, 2024, this collection of modern, emotionally rich songs encapsulates the timeless tradition of classic torch songs, crafted during the heart of the pandemic. “Torchlights” is
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In the dynamic world of music and multimedia, Benjamin Long, also known as BennyT, stands out as a versatile artist whose talents span across videography, direction, and photography. His latest single, “Too Much Pride,” is a testament to his multifaceted abilities and deep-rooted passion for storytelling through music. BennyT’s journey to this point hasn’t been
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Tanya Mezh is a name we’ll be hearing for years, if not decades, to come. Transformative talents aren’t widespread. There are plenty of workmanlike singers populating the pop landscape. However, singers who communicate personality with every line, inhabit their material, and show constant improvement are much rarer. Mezh falls into the second category. Born Tanya
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Several surprises are in store for listeners who persist with Pangaea’s “Come Together” through the end. Anyone expecting a by-the-numbers cover of The Beatles’ Abbey Road classic will be disappointed. I’d be disappointed if they tried. You can’t replicate that lightning-in-a-bottle greatness. Instead, Pangaea do what they’ve done for other covers. They recast the slinky slide of
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I dived into Mark Conklin’s The Gospel According to Mark uncertain about what I would hear and if it would capture my fancy. The New Jersey-born singer/songwriter has set his aims high. The 24-track opus is nothing less than a musical retelling of the New Testament’s Book of Mark featuring a plethora of artists plucked from modern
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The King James Boys steeps their latest single, “I Can Hear the Savior”, in the same eternal virtues that define the best bluegrass. The five-piece band relies on a classic configuration of guitar, banjo, bass, mandolin, and fiddle without inducing eye rolls for its predictability. Informed listeners and observers of the genre would argue that
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Francesca Tarantino returns with a reimagined version of her poignant track “Tragedy,” offering a fresh acoustic take that underscores her burgeoning maturity as an artist. Despite her youth, Tarantino delivers a performance imbued with a seasoned understanding of heartbreak, sounding assured and compelling throughout the song. Before we get into the song it might be
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Classical/rock violinist Daisy Jopling has just released her highly anticipated new single “Indian Jesus Live” via Tribeca Records worldwide.  “Indian Jesus Live” was composed by Daisy Jopling and Michael Feigenbaum and features Michael Feigenbaum, Firas Zreik, Gideon Forbes, Simon Fishburn and George Radi. Classical/rock violinist Daisy Jopling was born in London, and now lives in
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Kevin Davison’s latest EP, “Only Human,” serves as a narrative of life’s trials and triumphs, set against the backdrop ofcontemporary country melodies. With a tracklist spanning from heartfelt ballads to spirited anthems, Davison showcaseshis versatility as a storyteller and musician. Across seven tracks, he delves into themes of love, loss, resilience, andsimply being “only human”.
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