Movies

We got a hit on our hands as Disney/Pixar’s Inside Out 2 clocked $13M from Thursday previews that began at 3 p.m., the best so far in 2024. beating Dune: Part Two‘s $12M. The current Rotten Tomatoes scores are a 93% Certified Fresh rating from critics and 95% from moviegoers, setting up the movie for

Disney/Pixar’s Inside Out 2 had its first full day of play at the international box office on Wednesday with No. 1 starts in each of its eight material markets, including strong debuts in majors Korea and Germany as well as the Philippines. The total through day one overseas is $4.9M. Majors joining through Friday include

It was an Inside Out specialty weekend, fairly quiet and with a stream of indies films and more wide releases. The schedule is starting to recover from a strike-induced slump that, however, provided oxygen to some indies. Small films have been competing for screens with majors at arthouses from Alamo Drafthouse to Landmark since theaters

China’s Film Bureau has approved a July 26 release for Disney/Marvel Studios’ Deadpool & Wolverine, arguably one of the most anticipated movies of the year globally. Marvel’s Weibo account announced the dating this morning Beijing time which Disney has confirmed. The release is day-and-date with the U.S. and marks the first time the Merc with

Theatrical giant AMC Entertainment posted its highest attendance and admissions revenue of any weekend in 2024 this past Fri-Sun. at locations in the U.S. and globally with the one-two punch of Disney/Pixar’s Inside Out 2 debut, and Sony’s Bad Boys: Ride Or Die. Stateside, AMC posted its most attended day of the year on Friday,

At the top of an executive roundtable kicking off CineEurope in Barcelona on Monday, Paramount’s President of International Theatrical Distribution Mark Viane gave a shout-out to the massive opening of Disney/Pixar’s Inside Out 2. “If anyone is here from Disney,” he said to the audience, “congratulations, you really helped kick-start the summer.” Relief is not

Lionsgate will be releasing Francis Ford Coppola‘s $120M epic production Megalopolis stateside on Sept. 27 following its premiere at Cannes last month. This will be a wide release. Deadline hears this is a distribution deal for Lionsgate. Coppola will own the movie, which is the case for many of his films under his American Zoetrope

The fourth movie directed by Get Out Oscar winner Jordan Peele hits theaters on Oct. 23, 2026 via Universal. The movie was originally set for a December 2024 release but was pushed due to the strike. As is standard, all is kept secret on this production. “I do feel like my next project is clear

Sony sat out CinemaCon in April this year, but was the first major studio to present at CineEurope in Barcelona today, culminating in a screening of Apple Original Films’ Scarlett Johansson/Channing Tatum-starrer Fly Me to the Moon which Sony is releasing theatrically. Before the screening, Sony President of International Theatrical Distribution, Steven O’Dell, cautioned, “Good

An Apple Original Films title is heading to the big screen for the sixth time with the June 27, 2025 release of Joseph Kosinski‘s Formula 1 movie starring Brad Pitt. Warner Bros. has won the rights to handle both domestic and overseas. This follows Paramount releasing Martin Scorsese’s Killers of the Flower Moon ($157M WW),

Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total

EXCLUSIVE: The box office event of the year which has Warner Bros. mass female attraction, Barbie, and Universal’s Christopher Nolan directed, Oppenheimer, has officially fired off its confetti guns with the movies seeing respectively an estimated $20M and $9M+ from their previews. Again, these numbers could fluctuate by morning. Even if Barbie falls short of

AMC Entertainment is dropping Sightline, a controversial variable pricing program for seating it announced earlier this year. The giant theater chain said today that after a pilot in three locations, it saw little or no increase in patronage of cheaper front row seating, despite a modest price reduction for the seats. The test did show

“You’re being managed on Barbie” was a snarky text I received last night, “it’s at least $130M.” The point of that is the projections out there for the Greta Gerwig directed feature take of the Mattel doll are indeed wild. Rivals were spotting $90M-$125M; Warners asserting $75M. Today, to support the crazy fever of moviegoing

Alamo Drafthouse Cinema said CEO Shelli Taylor is retiring in August and named president Michael Kustermann as its new chief executive. The fast-growing dine-in chain, that’s been hugely successful luring post-pandemic moviegoers back to theaters, said its board of directors, including Taylor and executive chairman Tim League, selected Kustermann as Taylor steps down, effective August

At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined

Talk about respecting a theatrical window: Disney has set a Disney+ global premiere date for Guardians of the Galaxy Vol. 3 of Aug. 2, that’s 90 days after the pic’s theatrical release of May 5. While Disney got a lot of slack during CEO Bob Chapek’s era for executing theatrical day-and-date releases on Disney+ during

Searchlight Pictures’ Sundance-winning original comedy Theater Camp will take in an estimated $281,172 or $46.9k per theater at six locations opening weekend — the best limited opening for the distributor since Jojo Rabbit in the fall of 2019 ($349k in five locations). That’s after the A CinemaScore film on Sunday pulled ahead of Searchlight’s The

What was it W. B. Yeats wrote, that line Joan Didion lifted and twisted in her essay “Slouching Towards Bethlehem,” about West Coast chaos in 1967? Things fall apart; the center cannot hold. That’s how it felt on Thursday, a few minutes before lunch with some seasoned film executive-friends at the Academy Museum (Salad Niçoise

SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear. Previous best 5-day opening belonged to 2000’s Mission: Impossible II which cleared a Wednesday-Sunday take over Memorial Day weekend of $78.8M. The 3-day record still belongs to