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There are recordings that arrive like announcements, declaring themselves with confidence and certainty. Then there are songs like Devotion, from Ananda Xenia Shakti and Love Power the Band, which seem less composed than uncovered—as though they had always existed somewhere beyond language, waiting patiently for the right moment to become audible. The story surrounding the

Lightning rarely strikes on a debut, yet St. Jove arrive with ‘Gold’ sounding like a band that skipped the awkward introduction and headed straight for the main stage. Every second crackles with restless ambition, but the song never mistakes sheer volume for genuine impact. Instead, it leans into sharp songwriting and undeniable chemistry, creating the

There has always been a peculiar American habit of turning ordinary language into prophecy. “Born to Run.” “Fight the Power.” “Purple Rain.” A phrase escapes its original meaning and suddenly becomes larger than the culture that invented it. On “God Mode,” DPB performs a similar act of alchemy, taking a phrase borrowed from video games—a

Doghouse Rose have figured out that the best way to stare down life’s constant parade of bad news is to crank the amps and laugh anyway. ‘It Gets Worse’ embraces its wonderfully bleak title with a wink instead of a sigh, delivering a blast of melodic punk that feels equal parts cathartic and addictive. The

Country music has always carried two histories at once. One belongs to the charts, the fashions, the changing accents of radio. The other belongs to kitchens, church pews, front porches, and hospital rooms—the places where life quietly insists on being remembered. Richard Lynch’s “Wait For Me” doesn’t concern itself with the first history. It plants

Rain To Rust return with ‘Genç Ölüm’ and immediately remind everyone that disappearing for three years is only a bad career move if you come back empty handed. This is anything but empty. Built on a hypnotic post punk backbone with enough shimmer to keep the darkness from swallowing it whole, the track balances restraint

Country music has always known that a house can tell the truth long before the people inside it do. The porch light stays on. The coffee cup remains in the cabinet. The pictures still hang on the wall, daring someone to admit they’ve become relics. Dust and Grace’s “Love Doesn’t Live Here” understands this instinctively.

Pure Reason Revolution have dropped their new single and video titled ‘Spin Like Fire’, from their upcoming album ‘Terrifying Angels’, releasing September 25th via Inside Out Music. After spending the last album wandering through grief with quiet confidence, Pure Reason Revolution have apparently decided that subtlety has had enough screen time. ‘Spin Like Fire’ kicks

The new single “Labyrinth” Out August 6 Brooklyn-born singer-songwriterRena Angelreturns with her most evocative release yet, the hauntingly beautiful new single, ‘Labyrinth’. Having already built a growing audience with four acclaimed singles, “Labyrinth” explores the emotional disorientation of losing yourself inside a toxic, suffocating relationship and eventually finding comfort in the feeling of being lost.

Some Velvet Morning return with their fifth studio album, ‘Tell The Summer Hang On’, the latest chapter in a career that has taken the North London trio from rehearsing in a garden shed to international audiences. Formed by brothers Desmond Lambert (vocals, guitar) and Gavin Lambert (bass, vocals) alongside drummer Rob Flanagan, Some Velvet Morning

UNVEILS FIRST OF 2026 LINEUP Photo Credit: Jay Blakesburg [DownloadHi-Res Photo] ARTISTS INCLUDE AJ LEE & BLUE SUMMIT, GILLIAN WELCH & DAVID RAWLINGS, HISS GOLDEN MESSENGER, KATHLEEN EDWARDS, MY MORNING JACKET, OLD CROW MEDICINE SHOW, EL KHAT, TYLER BALLGAME, WILLIAM TYLER & YASMIN WILLIAMS, AND JOHN CRAIGIE W/ THE COFFIS BROTHERS ADDITIONAL ARTISTS TO BE

Chiodos have today released their new single and video titled ‘TAPDAT’ via SharpTone Records. Craig Owens has never been interested in taking the easy road, and ‘TAPDAT’ makes that painfully obvious in the best possible way. The accompanying video feels like a declaration instead of a comeback, refusing to coast on nostalgia while reminding everyone

VIDEO: “Manifest” –YouTube Pre-order / pre-save the albumHERE Hila. A record about loss. What persists beyond the range of ordinary perception? The place mourning keeps returning to — not quite transcendence, not quite doubt. The edge of what we can see.”Frankie Rose has spent fifteen years building one of the most quietly distinctive bodies of

Carthage, North Carolina’s Scarlet Tantrum returns with ‘Rumors’, a confrontational slice of alt rock built for anyone who’s ever caught a “friend” talking behind their back. This is the sound of receipts being pulled out in real time. The track digs into betrayal in its most modern form: gossip as currency. Scarlet Tantrum doesn’t hold

Buy tickets here:https://www.gilbertosullivan.co.uk/tour-dates/ Gilbert O’Sullivan, one of the UK’s most enduring and respected singer-songwriters, returns to the stage for a series of special concerts celebrating sixty years of music. Since releasing his first music in 1967 Gilbert has achieved 16 Top 40 records, including his breakthrough release in 1970 with Nothing Rhymed, six No. 1

SUUNCAAT has today released her new single titled ‘work’. Five albums into your weekly listening queue, everything starts sounding like a desperate algorithm trying to impress another algorithm. Then SUUNCAAT strolls in with ‘work’ and casually reminds everyone that originality still exists. This is not another glossy electronic track pretending to be profound. It feels

Spanish and English this week, all songs made in the USA but popular south of the border. 50 songs and albums submitted this week for reviews Antes de Ti, single by Silvia Estrada. I could listen to this song for hours. Although I only barely understand the Spanish lyrics, its simplicity, its minimalism, and the

Elephant Stone have today released their new single and video titled ‘I Got A Pill’, from their upcoming album ‘ASHA’, dropping August 28th via Elephants On Parade, with limited edition signed and hand-numbered vinyl is available for pre-order now via Little Cloud Records. Roughly twenty years into their journey, Elephant Stone still refuses to become

There are artists who spend years chasing a signature sound, and there are artists whose sound is earned one stage, one session, and one song at a time. For Denver songwriter, producer, and keyboardist Leandro “Leo” Albertoni, the creative force behind San Leandro, that journey has unfolded in blues clubs, festival stages, late-night recording sessions,

Brickhouse have today released their new single and video titled ‘Angel Eyes’. From the opening moments, Brickhouse make it painfully obvious they skipped the part where debut bands are supposed to play it safe. ‘Angel Eyes’ crashes through the speakers wrapped in a glorious cloud of reverb, distortion, and emotional baggage that somehow feels lighter