Though it comes to us in a gentle strut, there’s a lot of urgency to the lyrical narrative in the title cut of Robert Jon and the Wreck’s Ride Into the Light, currently out everywhere good southern rock is sold and streamed. From the beginning, this feels like a radio-bound single from the record, and this
News
Over-conceptualizing has been an increasingly negative issue for American folk music in the past decade, but if one artist is rejecting it in every way, it’s Joshua Radin in his new EP though the world will tell me so, vol. 2. though the world will tell me so, vol. 2 has a lot of dimensions to it, starting
American Courage is a ten-track outing from singer/songwriter Brian Seymour and his first such collection in a decade. He highlights his social concerns over the course of the song cycle and Seymour contends with the lingering effects and aftershocks of the pandemic, but don’t mistake these songs are broadsides ripped from headlines and set to music. There’s a personal touch
Country singer/songwriter James Robert Webb has been killing it since day one. His last few singles have been well received by listeners while his general profile within the country music community seems to be getting quite popular with all the right folks. That said, adaptation is necessary to sustain any real credibility in this business,
Longtime Evergrey member Tom S. Englund and virtuoso pianist and composer Vikram Shankar, an alumnus of projects such as Lux Terminus and Redemption, make a formidable creative duo on their Silent Skies project. Entitling the tandem’s third album Dormant is almost funny. There’s nothing staid or inert about this music. Shankar’s talents on piano, keyboards, and synths envelop listeners in
Gideon King & City Blog have been taking the alternative underground by storm in 2023, and after checking out their interpretation of the song “Somewhere Only We Know (featuring Ashley Hess),” it’s easy to see what all of the hype has been about. Where other songs in this group’s discography are more conservative in structure,
Big immersive melodicism is a major ingredient in Lindley Creek’s recipe for a perfect folk album, and this is all the more obvious when listening to the prime cut “Over and Over” from the esteemed Whispers in the Wind LP. While there’s a lot to be said about the string thunder that circles us in tracks like
Combining firm guitars, a bittersweet beat and a lead vocal that melts hearts on the spot isn’t necessarily a new concept when developing a single, but when Shane Britt does it in his song “I’m Not Well,” he elevates the role that each of these components has to play. Britt wasn’t determined to pen a
The union of musical talents making up Studio D’Lux promises remarkable things and delivers. Keyboard player/pianist, singer, and songwriter Doug Kistner’s project enlist drummer Liberty DeVitto, Steely Dan guitarist Jon Herington, respected singer and songwriter Bill Champlin, and bass player Malcolm Gold in a band that has one EP under their belt and a new
Hannah Ellis uncorks an infectious hit with her latest single, “Wine Country.” From the first note, it’s evident that this track has all the makings of a radio-friendly anthem. With its catchy hooks and vibrant production, “Wine Country” is poised to make waves not only on traditional airwaves but also on popular streaming platforms and
The contemporary definition of hard rock is much different than it was just a few generations ago depending on who you ask in the business today, but for Cedars, not much has changed since the old guard other than cosmetics. Cedars are an indie band whose new single “Empire” pushes aesthetics towards the old school
It’s an interesting era in post-pop revivalism no matter what your aesthetical persuasions are, and of the recent dispatches to come to my attention, the Noshows/Aud collaboration “Slow Up” is one of the more compelling singles of its kind. Although it’s a rhythm-forward composition, “Slow Up” isn’t lacking in melodic ribbonry by any measurement; contrarily,
In one moment, Kaitlyn Kohler’s new single “Everywhere I Go” is the picture of a perfect country/pop anthem; in the next, it’s a more complicated and personal piece, designed with the bones of a folk song but delivered unto us with a surreal softness not common of such content (in modern times, at least). INSTAGRAM:
John Dorsch’s vision for his music has an all-encompassing design that few artists share. His latest release Elevation spans the breadth of fifteen songs that touch on multiple genres such as folk, pop, and rock without ever coming off as a hodgepodge of disparate tunes lacking an overall cohesive theme. The fifteen tracks included on Elevation are bound together
If you think hard rock is a dead genre, reconsider. Sobak’s A Little More Time will definitely make you rethink such a stance. The Florida-based bandleader Anthony Sobak has been playing music and singing since fifteen years old and the long voyage he’s had to this moment delivers the goods in one of the most inspired hard
You don’t need loads of creative contrast to create provocative harmonies in rock n’ roll anymore, and if there’s an American who can illustrate this rather flawlessly this season, it’s none other than greenhorn recording artist Kristen Capolino. Capolino’s new Independence Day single, titled “Freedom,” is one of the most straightforward progressive pop songs I’ve
In the competitive world of indie pop, Ajay Mathur doesn’t have an easy road ahead of him in trying to put his name on the map, but this isn’t to say that his new single “Don’t Want the Phone to Ring” doesn’t put forth quite the sterling effort. Mathur introduces himself to us in “Don’t
“Make Believe” from Missouri rockers Dark Below heralds the further dawning of their considerable talents. The song was recorded at East Iris Studios in Nashville, TN with Producer Malcolm Springer (Matchbox 20, Collective Soul, Fear Factory, Josey Scott) at the helm, assisted by Jason Schrick. The trio of vocalist/guitarist Josh Campbell, bass player and backing vocalist Josh
Hitting us with a forcefulness that becomes the greatest element of consistency in the tracklist before we know it, Rob Alexander wields a lot of raw power in the opening cut of his new album, Young Man’s Eyes, titled simply “The Soul or the Skin.” The track’s compositional premise will be revisited in the namesake song
Classy and sophisticated in “I’m Here Forever,” slow-churning and seductive in “If I Ever,” the grooves featured in Conor Maynard’s new album +11 Hours are undeniably the foundation of every cathartic event the record has to offer. Though coupled with rhymes that frequently stir up as much emotion as any melodic faceting ever could, the beats found
- « Previous Page
- 1
- …
- 4
- 5
- 6
- 7
- 8
- …
- 13
- Next Page »