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Fraternal twins Racine (Kara Young) and Anaia (Mallori Johnson) have always had only each other. After a childhood bouncing from one abusive foster home to the next, the two have settled into a life together where sisterhood always comes first. Both sisters have burns on their bodies, but Anaia’s facial scars make her stand out.
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Yard Act:06-03 Barcelona, Spain – Primavera Sound06-11 Porto, Portugal – Primavera Sound Porto06-11 Hradec Králové, Czechia – Rock for People06-14 Hilvarenbeek, Netherlands – Best Kept Secret07-02 Werchter, Belgium – Rock Werchter08-05 San Diego, CA – Belly Up Tavern08-06 Los Angeles, CA – Teragram Ballroom08-08 San Francisco, CA – Outside Lands08-09 Portland, OR – Revolution Hall08-10
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Television was operating at an emotional high this week, giving us characters forced to confront impossible choices, painful truths, and years of unresolved trauma. Some found closure. Others spiraled deeper into chaos. But all of them delivered unforgettable performances and storylines that elevated their respective series. These are our Characters of the Week. Abe and
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There really is no other TV show like The Simpsons, the iconic animated series that holds the record for longest running scripted program in television history. For decades, Homer, Marge, Bart, Lisa, Maggie and the extended world of Springfield has entertained millions around the globe. The series also holds the distinction for most cameos ever
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When Jason Newsted joined Metallica, he found it challenging to keep his “chin up” while being surrounded by his “collectively depressed” bandmates. The former Metallica bassist recentlyshed new light on the dispiriting atmosphere surrounding the band following the death of Cliff Burton in 1986 Being Happy During Dark Times For Metallica Metallicawere trying to move
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As expected, 20th Century Studio’s Devil Wears Prada 2 was the fashion supreme at the worldwide weekend box office with a second frame of $118.8M ($43M domestic, a sexy hold of -44%, and $75.8M international in 51 territories, a -46% hold), taking its running global cume to $433.2M ($144.8M stateside, $288.4M abroad), and sending Disney
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The filmmaker Jane Schoenbrun’s last film, the eerie and sad I Saw the TV Glow, used a made-up artifact from the pop-culture past — a cultishly beloved supernatural television show — as a kind of seeing stone, gazing through its lens to inspect matters of identity. Schoenbrun draws from the next well over in their
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