Chadwick Easton

Central Texas isn’t exactly the sort of territory outsiders may imagine producing a band such as Cedars. The conservative climate doesn’t seem especially hospitable to electronic rock bands with a penchant for singing about whatever they like. Cedars, however, roll against any currents, real or imagined, with unquestionable success. Their new single “Wasteland” testifies to
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Richly melodic but far from the only sparkling gem in the song, Bruce Makin’s vocal is a vivid message in itself, even without the lyrics it conveys in the new single ”This Kind of Love,” declaring freedom from the constraints of conventionality only possible when letting go of baggage. There’s something really empowering about the way lyrics
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The Brian Shapiro Band’s new album release You Me Future Now is a ten song collection featuring a variety of guest artists.   The plethora of guests isn’t any indication, however, that Shapiro’s creative powers are on the wane. You Me Future Now is the result of collaboration, in those instances, and the presence of other artists only augments and
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Luna Grey’s cawing and insistent voice have instant appeal. It isn’t conventional, but she has irresistible pop chops allowing her to convey personality with each line. Her latest single “Gumball” presents the full gamut of her pop performing strengths as well as highlighting her individuality. One mistake, however, you can make with Grey is taking
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Shiloh June is fast becoming a reliable musical and artistic presence in the Southern California music scene since relocating from Maryland. Her duo alex&shiloh have established themselves as one of the most involving tandems emerging on the scene in recent memory, but Jane likewise makes a strong claim to being a meaningful solo artist. Her
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Kimberly Atwood’s “Miss You Still” is the latest Americana single from the Ozark Mountain born performer. Raised in a music rich blue-collar background, Atwood has long since pursued her musical ambitions in Nashville. She’s experienced considerable success thus far with numerous live appearances at several top-flight Music City venues. Her reach extends past the confines
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One of the most obvious differences between contemporary mainstream rock and that of the past is the absence of the dirty, nonconformist element of danger once responsible for getting alternative music out of the underground and into the spotlight. While I’m not saying that Back from Nothing is reviving the dangerous side of the rock
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2022 was a big year or the insularity of contemporary pop music to say the least, but few of the records I’ve had the chance to sit down with in the past couple of months have captured the spirit of the postmodern narrative quite as well as DEVORA’s dark new release God is Dead does. TWITTER: https://twitter.com/devoramusicxo?lang=en
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It’s a new era for the indie singer/songwriters who power the underground, and it’s bringing out the experimental side in seemingly everyone – for the best, I might add. Symphuddie returns to the headlines this January with a new set of instrumental vocal-driven songs in Back from the Brink that takes the concepts of his influences in
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Varying in tone but constantly sporting just as much color as Kimberlye Gold’s vocal does, the instrumental element in the singer/songwriter’s upcoming EP Soliloquy is the most communicative component of the record outside of the lyrics. On its own, the melodic part in Gold’s cover of the Young Rascals’ 1967 song, “How Can I Be Sure” might
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Not all musically inclined imaginations think alike. We live in bold and exciting times where several cutting-edge musical projects look far beyond the usual template of verse-chorus-bridge toward new challenges capable of enriching aural artistic experiences. Phi Tribe music leads the way into this uncharted territory and blazes its idiosyncratic trail using Psycho Acoustic Technology.
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