Movies

nt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inbody1-uid0″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”in-body1″},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-bodyX”},{“key”:”pos”,”value”:”in-listX”},{“key”:”pos”,”value”:”in-list1″},{“key”:”pos”,”value”:”btf”}],”lazyLoad”:”no”,”lazyLoadMultiplier”:2,”zone”:”list/inbody1″,”sizes”:[[300,250]]}]}},{“ID”:1236463073,”position”:1,”positionDisplay”:”02″,”date”:”2026-01-02 17:08:10″,”modified”:”2026-01-03 17:15:47″,”title”:”Best Director”,”subtitle”:null,”slug”:”best-director-192″,”caption”:””,”description”:”ntttt nnnnnnnnnnn ntWinner:</strong> Paul Thomas Anderson, One Battle After Another</em></strong></p>nnnn ntRunners-up:</em>Jafar Panahi, It Was Just an Accident</em></em></em>Richard Linklater, Blue Moon </em>and Nouvelle Vague</em></p>n</div>”,”alt”:””,”image_credit”:””,”url”:”https://www.hollywoodreporter.com/lists/2026-national-society-of-film-critics-winners-list/”,”image_id”:0,”image”:””,”sizes”:{“pmc-gallery-s”:[],”pmc-gallery-m”:[],”pmc-gallery-l”:[],”pmc-gallery-xl”:[],”pmc-gallery-xxl”:[]},”fullWidth”:0,”fullHeight”:0,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t nttttt nttttn nt nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inbodyx-uid1″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”in-bodyX”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”},{“key”:”pos”,”value”:”btf”},{“key”:”viewable”,”value”:”yes”}],”lazyLoad”:”yes”,”lazyLoadMultiplier”:2,”zone”:”list/inbodyX”,”sizes”:[[300,250]]}]}},{“ID”:1236463066,”position”:2,”positionDisplay”:”03″,”date”:”2026-01-02 17:07:06″,”modified”:”2026-01-03 17:16:48″,”title”:”Best Actor”,”subtitle”:null,”slug”:”best-actor-187″,”caption”:””,”description”:” ntttt nnnnnnnnnnn ntWinner:</strong> Ethan Hawke, Blue Moon</em></strong></p>nnnn ntRunners-up:Wagner Moura, The Secret Agent </em></em>Michael B. Jordan, Sinners </em></em></p>n</div>”,”alt”:””,”image_credit”:””,”url”:”https://www.hollywoodreporter.com/lists/2026-national-society-of-film-critics-winners-list/”,”image_id”:0,”image”:””,”sizes”:{“pmc-gallery-s”:[],”pmc-gallery-m”:[],”pmc-gallery-l”:[],”pmc-gallery-xl”:[],”pmc-gallery-xxl”:[]},”fullWidth”:0,”fullHeight”:0,”mime_type”:”image”,”ad”:””,”appleSongID”:null,”enableAppleGA”:false,”additionalDescription”:null,”subtitleColor”:null,”additionalSubtitle”:null,”additionalSubtitleColor”:null,”ads”:{“html”:”t nttttt nttttn nt nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-tab-list-inbodyx-uid2″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”in-bodyX”},{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-listX”},{“key”:”pos”,”value”:”btf”},{“key”:”viewable”,”value”:”yes”}],”lazyLoad”:”yes”,”lazyLoadMultiplier”:2,”zone”:”list/inbodyX”,”sizes”:[[300,250]]}]}},{“ID”:1236463075,”position”:3,”positionDisplay”:”04″,”date”:”2026-01-02 17:08:52″,”modified”:”2026-01-03
0 Comments
Exhibitors in the U.S. like to cry about the encroachment of streaming on theatrical attendance but they’ve never been to Italy, where moviegoing has more or less been in a funk post-Covid without any multi-national circuits in the country. That makes the latest success of the comedy Buen Camino, starring and written by Checco Zalone,
0 Comments
nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-gallery-ingalleryx-uid41″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-galleryx”},{“key”:”pos”,”value”:”300×251″}],”lazyLoad”:”yes”,”lazyLoadMultiplier”:2,”zone”:”gallery-vertical/in-galleryX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1235976238,”image”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg”,”date”:”2024-06-17 13:09:12″,”modified”:”2026-01-02 10:27:21″,”alt”:”The Highest Grossing Movies At The Box Office Every Year Since 1977″,”title”:”1983 – Star Wars: Episode VI – Return of the Jedi”,”slug”:”msdreof_ec007″,”description”:””,”image_credit”:”Twentieth Century Fox/Everett Collection”,”image_source_url”:””,”caption”:” Distributor: Twentieth Century Fox</p>n Release Date: 5/25/83</p>n North American Total: $252,583,617</p>n”,”position”:44,”url”:”https://deadline.com/gallery/highest-grossing-movies-by-year-box-office/”,”sizes”:{“pmc-gallery-xxl”:{“src”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg?w=1280″,”width”:1280,”height”:856},”pmc-gallery-xl”:{“src”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg?w=1024″,”width”:1024,”height”:685},”pmc-gallery-l”:{“src”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg?w=800″,”width”:800,”height”:535},”pmc-gallery-m”:{“src”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg?w=640″,”width”:640,”height”:428},”pmc-gallery-s”:{“src”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg?w=320″,”width”:320,”height”:214},”thumbnail”:{“src”:”https://deadline.com/wp-content/uploads/2023/11/MSDREOF_EC007.jpg?w=150″,”width”:150,”height”:100}},”fullWidth”:860,”fullHeight”:575,”pinterestUrl”:”https://www.pinterest.com/pin/create/button/?url=https%3A%2F%2Fdeadline.com%2Fgallery%2Fhighest-grossing-movies-by-year-box-office%2F44%2F&media=https%3A%2F%2Fdeadline.com%2Fwp-content%2Fuploads%2F2023%2F11%2FMSDREOF_EC007.jpg%3Fw%3D1024&description”,”mime_type”:”image/jpeg”,”caption_no_shortcode”:” Distributor: Twentieth Century Fox</p>n Release Date: 5/25/83</p>n North American Total: $252,583,617</p>n”,”ads”:{“html”:”t nttttt nttttn nt nttnt</div>n</div>nttt</div>ntttt</div>n”,”data”:[{“divId”:”gpt-dsk-gallery-ingalleryx-uid42″,”displayType”:”medrec”,”targeting”:[{“key”:”pos”,”value”:”mid”},{“key”:”pos”,”value”:”in-galleryx”},{“key”:”pos”,”value”:”300×251″}],”lazyLoad”:”yes”,”lazyLoadMultiplier”:2,”zone”:”gallery-vertical/in-galleryX”,”sizes”:[[300,250],[300,251]]}]}},{“ID”:1235976247,”image”:”https://deadline.com/wp-content/uploads/2023/11/MSDETTT_EC065.jpg”,”date”:”2024-06-17 13:12:29″,”modified”:”2026-01-02 10:27:22″,”alt”:”The
0 Comments
Daisy Ridley-starring apocalyptic thriller We Bury The Dead from Vertical is one of the few new openings this weekend after the last of the 2025 Hollywood holiday tentpoles and awards contenders rolled out for Christmas and New Year’s. The Sundance-premiering zombie flick written and directed by Zak Hilditch debuts on 1,172 screens. The Plague from
0 Comments
SATURDAY AM: It’s a very good start to the year with all movies grossing $127.4M this weekend; in fact that’s the best first weekend of a New Year post-Covid, besting 2023’s $104.2M. Nothing melodramatic going on, just a solid holdover frame. Compared to the first weekend of 2020, before Covid shut us down and when
0 Comments
Following a banner year with back-to-back critically acclaimed performances in Richard Linklater’s Blue Moon, Sterlin Harjo’s The Lowdown and Scott Derrickson’s Black Phone 2, Ethan Hawke headed to the desert to receive a career achievement trophy during the Palm Springs Film Awards Saturday night. The honor —presented during a starry ceremony inside the Palm Springs
0 Comments
Updated, Jan. 2 on New Year’s Day business: New Year’s Day hit a post-Covid record high for all films with an estimated $48.1M, +12% from New Year’s Day 2025, which held the previous holiday record at $42.9M. Business for all titles yesterday was +69% over New Year’s Eve when business, of course, recessed. 20th Century
0 Comments
Sources are telling us this morning that the Stranger Things finale cleared well north of $25M, possibly even $30M, in concession cash to movie theaters over its New Year’s Eve and New Years Day play. Of that figure, $15M was generated by the No. 1 circuit, AMC Theaters off an attendance of 753,000. By comparison,
0 Comments
James Cameron’s Avatar: Fire and Ash dominated the long Christmas weekend with four-day earnings of $88 million, including $64 million for the three-day weekend proper. While it’s lagging the previous installment at the same point during its run, Fire and Ash is still a monster, grossing another $181.2 million overseas for a global tally of
0 Comments
In a 2025 that generated $8.87 billion at the domestic box office, 780 million people actually went to the movies. That’s roughly two visits a year for every person living in the United States; the nation’s population factored at an estimate of 347.3 million. However, admissions were down from EntTelligence’s 2024 figure of 820 million,
0 Comments