Movies

After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M.  Through Friday, the fratelli are at $268.9M from 71 overseas markets and $551.9M global. The full weekend cume offshore is

FRIDAY AFTERNOON: Illumination is looking at another record 3-day as the Universal/Nintendo co-production Super Mario Bros Movie is on its way to a $72M Friday-Sunday, the best second weekend for the animation studio. That’s a 51% ease at 4,371 theaters after a $20M second Friday, -64%. Running total by end of Sunday will be $332.8M.

Ari Aster, the horror maestro behind Hereditary and Midsommar, is out with Beau Is Afraid on four screens as A24 presents the SXSW-premiering film In LA (AMC Century City and Burbank) and New York (AMC Lincoln Square, Alamo Brooklyn), in Imax on both coasts, followed next week by a regional Imax expansion and into to

Regal took a beat from closing theaters, announcing today it’s entered a lease agreement with Onni Group to operate the former ArcLight theatre at The Paseo in Pasadena. The 14-screen theater was shuttered by Covid in March of 2020 and never returned to business. Regal will be announcing details soon including promotional offers and an official opening

Disney/Marvel Studios’ Guardians of the Galaxy Vol. 3 landed on tracking today before its summer season launch date of Friday, May 5 and it’s looking like a $130M domestic start. That’s lower than the $146.5M stateside opening of Guardians of the Galaxy: Vol. 2, which also kicked off summer in 2017, and distribution sources specify

EXCLUSIVE: Deadline has learned that Oscar winning filmmaker Martin Scorsese will be making an appearance at CinemaCon this year to receive the Legend of Cinema Award. The honor will happen during a sitdown lunch discussion with Scorsese following Paramount Pictures’ Thursday morning presentation on April 27. It’s very timely as Scorsese in mid-May will have

Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more

The nation’s biggest movie theater advertising network National CineMedia said tonight it’s filed a voluntary Chapter 11 petition in U.S. District Court in the Southern District of Texas – where one of its biggest shareholders and customers, Regal parent Cineworld, has just presented a restructuring plan to emerge from bankruptcy itself.   Cineworld filed in

EXCLUSIVE: Distribution executive Jasper Basch is returning to Variance Films, this time as their new Head of Distribution. He will be departing IFC Films as their Director of Sales and Distribution toward the end of this week, marking the third senior staff departure for the company in two weeks. Basch originally started his career at

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

While streamers typically get by on thrifty marketing budgets, pushing content largely on their menus, most motion picture studios, like Universal, still have all the superpowers in the world to blast a movie out of a canon. But here’s something to keep in mind as we detail Universal’s promo playbook below in propelling Illumination/Nintendo’s Super

Oscilloscope Laboratories’ Cannes Jury Prize Winner and Independent Spirit international film winner Joyland led New York’s Film Forum to one of its biggest opening weekends for a foreign language film in nearly a decade, taking in north of $21k on one screen, the distributor said. Buoyed by strong reviews and strategic marketing, the film by Saim Sadiq sold out nine showtimes,

Owen Wilson is back, with brushes, as the longtime host of a beloved but fading Burlington, Vermont-based PBS instructional art show. Paint from IFC Films opens on 800+ screens. Public television is always ripe for parody and happens to be a world Wilson knows. His father Robert Wilson helped launch, and ran, Dallas PBS station

Universal Pictures, Atomic Monster and Blumhouse’s Night Swim is now opening on Jan. 5, 2024 instead of Jan. 19. That first weekend of the New Year is a highly coveted spot for horror movies. That’s where Blumhouse/Universal’s M3GAN opened to $30.4M and went on to gross $95M. Night Swim logline: No running. No diving. No

Illumination/Nintendo/Universal’s Super Mario Bros Movie doesn’t need a mushroom to get bigger, it just organically is. Out of the gate today Wednesday, sans any Tuesday previews, the feature take of the classic game is looking at $26M, for what’s translating into a $86.2M 3-day, $127.5M Wednesday through Sunday haul. Interesting, even though its opening day

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

Elizabeth Banks genre comedy, Cocaine Bear, will be debuting on Universal’s streaming service Peacock 50 days after its theatrical debut. The movie is based on a true situation that went down in 1985 whereby a drug cartel’s lost cocaine stash air dropped in the Georgia woods, and wound up in a bear’s nose. Cocaine Bear

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

THURSDAY UPDATE, Refresh for latest…: With numbers now in for the 44 overseas markets that opened on Wednesday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie had a more than peachy debut with $34.7M through yesterday at the international box office. Combined with Wednesday’s domestic bow, the global one-day total is $66.4M. Several milestones/records were set in

Blumhouse’s feature take of videogame Five Nights at Freddy’s is going theatrical day and date with Peacock on Oct. 27 this year. The pic will go wide. This is the fourth Blumhouse movie to day and date with Universal’s streaming service after Halloween Kills, Halloween Ends and Firestarter. While arguments can be made that these