Movies

Teeing off a half hour of DC material in a two hour Warner Bros presetation at CinemaCon was the first ever trailer to Aquaman and the Lost Kingdom. Filmmaker James Wan couldn’t be here at CinemaCon, nor star Jason Momoa, but both appeared by video. Wan said Aquaman 2 visits “beautiful strange new worlds” where

“I thank you from the bottom of my heart,” Denzel Washington told a Colosseum-full of exhibition executives at CinemaCon. The star of The Equalizer 3 — first trailer dropping tomorrow — received a Lifetime Achievement Award presented by director Antoine Fuqua during Sony’s presentation, which kicked off the annual four day-event in Las Vegas. “We

An oft-heard lament on the part of international distribution is that Italy is impossible to program in the summer. In 2019, there was an effort on the part of the studios and the local industry to steer the season in a different direction resulting in record results, but the pandemic halted momentum.  At the end

Ari Aster’s Beau Is Afraid did decent business in its second week, expanding from four screens to well over 900 for a gross of $2.7+ million and a cume of $3.14 million. The A24 film starring Joaquin Phoenix has a $2.8k per screen average and no. 9 spot. It’s a weekend with a wide range

In a week when distributors and exhibitors are reconvening for their annual Las Vegas meet-up, CinemaCon, and celebrating the post-pandemic resurge of the box office, the motion picture industry is bracing for a potential WGA strike. With production and deal-making slowing down, especially with 98% of WGA West and WGA East authorizing a strike if

EXCLUSIVE: Deadline has learned that Warner Bros Discovery CEO and President, David Zaslav, will be teeing off Warner Bros studio presentation at CinemaCon on Tuesday AM, April 25. While it’s standard for the heads of motion picture studio divisions, read Sony’s Tom Rothman, Universal’s Donna Langley, and former Warner Bros chief Toby Emmerich to share

New Line and Warner Bros’ Evil Dead Rise freaked out $2.5M last night from previews that began at 7PM at 3,000 locations. The Sam Raimi executive produced R-rated horror movie directed by Irish director Lee Cronin is eyeing a start between $15M-$20M+ as Illumination/Universal’s Super Mario Bros Movie swats any newcomers away from No. 1

After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid  jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur. According to one

James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32

After 35 years, Andrew Lloyd Webber’s The Phantom of the Opera took its final curtain call on Sunday night at the Majestic Theatre in New York. This was show No. 13,981 of the longest-running show in Broadway history and was dedicated by Lloyd Webber to his son Nicholas who died last month after a battle

After working together on the combined half billion-plus grossing hits, Split and Glass, James McAvoy and Blumhouse are reteaming for a remake of Danish thriller, Speak No Evil. James Watkins (The Woman in Black) will direct from his script. Universal has set a theatrical release of Aug. 9, 2024. In the original 2022 movie, a

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to

Regal parent Cineworld has decided to terminate the marketing process for its businesses outside of the U.S., UK and Ireland. Although it received offers from “a number of prospective counterparties,” the proposals “did not meet the value level required by the group’s lenders,” the exhibition giant said today. The so-called “rest of world” businesses include

The Phantom of the Opera, Andrew Lloyd Webber’s musical that closed its Broadway run on Sunday after 35 years, went out on a very high note: Box office receipts for the show’s final week hit a best-ever $3,739,934. Playing, of course, to standing room only audiences at longtime venue the Majestic Theatre, Phantom commanded a

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

Ethan Coen’s Focus Features and Working Title comedy caper, Drive-Away Dolls, will open on Sept. 22. It won’t be a surprise to see this Margaret Qualley and Geraldine Viswanathan movie among the lineups of the fall film festival trifecta. Written by Coen and Tricia Cooke, Drive-Away Dolls follows Jamie, an uninhibited free spirit bemoaning yet

Illumination/Nintendo/Universal’s The Super Mario Bros Movie made history this past weekend, nabbing the biggest opening ever for an animated title worldwide. Now, after just nine days, it has a new milestone under its belt, topping $500M to become the No. 1 release of 2023 globally. Domestically through Thursday, the Aaron Horvath/Michael Jelenic-directed film has grossed

Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream