“One More Time” is another bold departure. The sleek pop song texture and memorable bass line will have immediate admirers. Another vocalist shift, this time back to a male singer, manifests itself in a distinctly different fashion. Multi-tracked vocals provide added flash. It has a light Latin flavor, and the song’s bouncy rhythms never grate
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In “Chelsea Summer Nights (Acoustic),” Sheri Miller delivers a hauntingly tender tribute to a time, a place, and a love that lingers like smoke in an old hotel hallway. Stripped to its acoustic bones, this version allows every nuanced lyric and vocal inflection to shimmer with authenticity, drawing listeners into a confessional space that feels
There’s a distinct thrill that comes with hearing a rock song where the rage is earned, the guitars are loud, and the frontwoman is in full control of the storm she’s conjuring. Rachel DeeLynn’s “Egomaniac!” fits comfortably into that lineage—one forged by bands like The Pretty Reckless, Paramore, and more recently, acts like The Warning
Taylor Jules’ latest banger, “Don’t Give a Funk”, is absolutely about to be blowing up on social media, and it’s easy to see why. The song’s explosive mix of funk, pop, and rock is going to start turning heads—and snatching likes—everywhere from TikTok to Twitter. It’s that rare track that feels like it was made
After hearing ‘Waiting To Be Seen Part 2,’ it makes the best sense to explore the music of Part 1, but these two albums which complete one another, can be played in any playlist fashion without hurting the overall concept of the two albums, and songs like “Already Broke” and others from Part 1 come
Look, I’ve been around long enough to watch rock and roll rise, fall, and claw its way back from the dead more times than I can count. I’ve seen the hair metal gods fade, the grunge kids burn out, and the punk scene wax and wane. But every once in a while, a track lands
Brielle Brown isn’t just making music—she’s crafting an experience, and “Blessing” is the kind of song that doesn’t just land on your playlist; it lingers in your bloodstream. The first single from her upcoming album In Art & Soil the Same is all heart, all soul, and all the proof you need that folk music can still
Jim Hurst is no stranger to the road, and his latest single, “Southbound,” makes that crystal clear. This fresh take on the Doc and Merle Watson classic is a love letter to the highway, the home you leave behind, and the pull to return. If you’ve ever found yourself staring out a car window with
Danny Burns has once again proven himself as a masterful storyteller and musician with his latest single, “Blue Ridge Blue.” This track, the first glimpse into his upcoming album Southern Sky, perfectly encapsulates the deep emotion and rich instrumentation that defines Burns’ unique blend of Bluegrass, Americana, and Roots music. Released via Bonfire Music Group,
In an era where polished pop anthems dominate the charts and authenticity is often carefully curated, Laura Sawosko’s Not What I Do feels refreshingly unfiltered. Her sixth studio album, releasing April 18, is a collection of Americana-tinged confessionals that balance self-reflection, humor, and heartache. The result? A record that lands somewhere between Brandi Carlile’s grit,
If country music has a superpower, it’s the ability to transform life’s hardest truths into something melodic, something we can hold onto when words alone don’t cut it. That’s exactly what rising country artist XOLEX accomplishes with her latest single, “Time Won’t,” a hauntingly honest reflection on the one thing we can never get back:
Let’s be honest—how many times have you said, I’ve always wanted to… and then immediately made up some excuse about why you can’t? Well, Susannah B is here to remind you that life’s too short for that nonsense. Her latest single, Always Wanted To, is basically a permission slip to chase your dreams, no matter
Freemoor’s latest single, “Affliction,” exemplifies the artist’s commitment to unfiltered musical expression, offering a potent blend of blues-inflected rock and introspective lyricism. The Las Vegas-based musician constructs a soundscape that channels both nostalgia and modernity, culminating in a track that resonates with thematic weight and sonic urgency. The composition opens with a deliberate, driving rhythm
Levi Foster, a Nashville-based singer-songwriter originally from Lynchburg, Virginia, is releasing a deeply moving track titled “Walter” on February 21. The song, set to strike an emotional chord with listeners, paints a raw, heartfelt picture of the devastation caused by Alzheimer’s disease, both for the person suffering from it and their loved ones. Through the
Of Limbo’s latest release, “Joke’s On You,” marks a decisive turning point for the band, signaling their evolution into a more introspective and nuanced phase of their career. Set to be featured on their upcoming OF LIMBO Unplugged album, the single offers a sophisticated blend of acoustic elements with the emotional gravitas that has grown in the
Cat Stevens (now Yusuf Islam) penned “Peace Train,” an earnest folk anthem whose message of unity and optimism resonated in an era of great societal and political upheaval. More than fifty years later, Alexander Cardinale breathes new life into the classic, delivering a new take that strips back the original’s stylized production to a more
Steve Lieberman—better known as “The Gangsta Rabbi”—delivers another unapologetically chaotic release with Meet the Gangsta Rabbi (44/82) Opus166. This EP is an unfiltered barrage of noise, raw energy, and reckless experimentation. True to its punk roots, the lyrics are nearly impossible to decipher, buried under layers of distortion and relentless instrumental clamor. But in Lieberman’s world, that’s
After over a decade of making music, Chicago’s Go Time! proves they’re as dedicated and dynamic as ever with their tenth studio album, X. The band—Scott Niekelski (vocals, guitar, keyboards), Steve Grzenia (drums, backing vocals), Paul Schmidt (guitar, backing vocals), and Mark Marketti (bass)—has built a reputation on sharp songwriting, powerful live performances, and an
Gathering former Redline members and penning a new song inspired by an uncanny near-sighting of the band’s late and lamented leader Audie Blaylock is an excellent tribute to the recently deceased bluegrass giant. Felled at 61 years old in January 2004, Blaylock’s onetime bassist, friend, and songwriting partner Reed Jones sings a heartfelt look back
The Veer Union has come a long way since their formation in 2006, and with their latest album Welcome to Dystopia, they’ve demonstrated both their growth as musicians and their ability to tap into something universal—frustration, disillusionment, and the search for meaning in a world that seems increasingly uncertain. While their earlier work certainly established them
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