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In an era saturated by algorithm-driven singles and micro-genre trends, Master Plan, the new full-length release from New York City’s Skyfactor, lands as a confident and refreshingly unselfconscious entry into the adult alternative rock space. It’s an album that underscores the enduring value of thoughtful songwriting, ensemble cohesion, and the kind of musical maturity that
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I’ll be honest—my first listen of Collabs: Live at Garcia’s at The Cap left me grinning from ear to ear. It’s got big feelings, big guests, and big moments. Sometimes that works wonders. Sometimes, not so much. “The Mayor” is one of the tightest songs here. George Porter Jr. shows up and turns a solid groove into
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“One More Time” is another bold departure. The sleek pop song texture and memorable bass line will have immediate admirers. Another vocalist shift, this time back to a male singer, manifests itself in a distinctly different fashion. Multi-tracked vocals provide added flash. It has a light Latin flavor, and the song’s bouncy rhythms never grate
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In “Chelsea Summer Nights (Acoustic),” Sheri Miller delivers a hauntingly tender tribute to a time, a place, and a love that lingers like smoke in an old hotel hallway. Stripped to its acoustic bones, this version allows every nuanced lyric and vocal inflection to shimmer with authenticity, drawing listeners into a confessional space that feels
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There’s a distinct thrill that comes with hearing a rock song where the rage is earned, the guitars are loud, and the frontwoman is in full control of the storm she’s conjuring. Rachel DeeLynn’s “Egomaniac!” fits comfortably into that lineage—one forged by bands like The Pretty Reckless, Paramore, and more recently, acts like The Warning
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Taylor Jules’ latest banger, “Don’t Give a Funk”, is absolutely about to be blowing up on social media, and it’s easy to see why. The song’s explosive mix of funk, pop, and rock is going to start turning heads—and snatching likes—everywhere from TikTok to Twitter. It’s that rare track that feels like it was made
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Danny Burns has once again proven himself as a masterful storyteller and musician with his latest single, “Blue Ridge Blue.” This track, the first glimpse into his upcoming album Southern Sky, perfectly encapsulates the deep emotion and rich instrumentation that defines Burns’ unique blend of Bluegrass, Americana, and Roots music. Released via Bonfire Music Group,
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In an era where polished pop anthems dominate the charts and authenticity is often carefully curated, Laura Sawosko’s Not What I Do feels refreshingly unfiltered. Her sixth studio album, releasing April 18, is a collection of Americana-tinged confessionals that balance self-reflection, humor, and heartache. The result? A record that lands somewhere between Brandi Carlile’s grit,
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Freemoor’s latest single, “Affliction,” exemplifies the artist’s commitment to unfiltered musical expression, offering a potent blend of blues-inflected rock and introspective lyricism. The Las Vegas-based musician constructs a soundscape that channels both nostalgia and modernity, culminating in a track that resonates with thematic weight and sonic urgency. The composition opens with a deliberate, driving rhythm
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Levi Foster, a Nashville-based singer-songwriter originally from Lynchburg, Virginia, is  releasing a deeply moving track titled “Walter” on February 21. The song, set to strike an emotional chord with listeners, paints a raw, heartfelt picture of the devastation caused by Alzheimer’s disease, both for the person suffering from it and their loved ones. Through the
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Of Limbo’s latest release, “Joke’s On You,” marks a decisive turning point for the band, signaling their evolution into a more introspective and nuanced phase of their career. Set to be featured on their upcoming OF LIMBO Unplugged album, the single offers a sophisticated blend of acoustic elements with the emotional gravitas that has grown in the
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Cat Stevens (now Yusuf Islam) penned “Peace Train,” an earnest folk anthem whose message of unity and optimism resonated in an era of great societal and political upheaval. More than fifty years later, Alexander Cardinale breathes new life into the classic, delivering a new take that strips back the original’s stylized production to a more
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