Movies

It’s quite clear that we’ll get more Marvel series on Disney+ this year than arguably Star Wars series. At the top of the first Disney/Marvel TCA session, President of Marvel Studios and Chief Creative Officer Kevin Feige gave a brief rundown of the studio’s plans. March 5 reps the end of season one of WandaVision.  Then
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Sony Pictures Classics is set to release awards contender The Father in select New York and Los Angeles theaters today before expanding nationwide March 12 before landing on PVOD on March 26. That’s quite a theater-to-digital journey for the Florian Zeller-directed drama starring Anthony Hopkins and Olivia Colman. The film, which premiered at Sundance in 2020,
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AMC Entertainment, the nation’s largest theater chain, said Friday it’s awarding CEO Adam Aron and other executives “supplemental special incentive cash bonuses” to recognize the challenge they faced  steering the embattled company on a financial rollercoaster over the past pandemic year. Corporate associates and theatre management will also get special bonuses, with all payouts coming
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People of the four nations, celebrate! After Netflix outraged fans of Nickelodeon’s classic series Avatar: The Last Airbender by making drastic changes to their planned live-action film based on the show, Nickelodeon has announced the launch of Avatar Studios, a new division within the company set to create original content spanning animated series and movies
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Paramount Pictures CEO Jim Gianopulos gets it; just like Disney CEO Bob Chapek gets it: You can’t have a successful streaming service without big theatrical event films. The two go hand-in-hand, so don’t try and muddy the waters. Big screen drives big franchises, which in turn drives streaming features and spinoff series. Exclaimed Gianopulos at
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EXCLUSIVE: In its first 24 hours after dropping on Feb. 17, the trailer for Disney’s edgy live-action feature Cruella about the famed 101 Dalmatians villainess drew a very notable 71M views per sources. That’s a very exceptional number for a trailer dropping during the pandemic, even beating the 24 hour trailer viewership figures of pre-Covid theatrical releases Maleficent: Mistress
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