Movies

GameStop: Rise of the Players, Adrien Brody passion project Clean, Cannes winner Compartment No. 9, Danish upscale restaurant drama A Taste of Hunger, Michel Franco’s Sundown and Woody Allen’s latest Rifkin’s Festival hit theatres crowded by Oscar contenders in a specialty market consumed by awards season (and as a major storm looks set to pummel the
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Sony Pictures has acquired global rights to Rosalind Ross’ feature directorial debut Father Stu, starring and produced by Oscar nominee Mark Wahlberg. Written by Ross, the film follows the true-life story of boxer-turned-priest, Father Stuart Long, whose journey from self-destruction to redemption inspired countless people along the way. Sony has set a theatrical release of Father
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Paramount/Nickelodeon/Spin Master’s Paw Patrol: The Movie has sauntered across the $100M threshold at the international box office. The Cal Brunker-directed animated action adventure now counts $100.3M to date overseas, and over $140M global. The film has been on a staggered overseas rollout, beginning in just six markets in mid-August last year, and continuing to add new hubs throughout September and
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More bragging rights for Sony, the studio dedicated to the theatrical window and distributor of the highest grossing movie of the pandemic, Spider-Man: No Way Home; their Marvel sequel Venom: Let There Be Carnage now counts $213.517M at the domestic box office, clicking past the 2018 first title’s $213.515M. Venom: Let There Be Carnage made $18,5K at
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EXCLUSIVE: After notching what I hear is the best test scores in MGM history, Ron Howard’s Thai cave rescue movie Thirteen Lives is moving its release date from Easter weekend this year to Friday, November 18 and into the aorta of awards season. The movie, scripted by two-time Oscar-nominated screenwriter William Nicholson, is the type of
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Critically acclaimed specialty holdovers continued to plant their flags in theaters as awards season advances and Oscar nominations loom — and on a weekend with few new releases, most not reporting grosses today. Among the bigger indies, United Artists Releasing’s Licorice Pizza by Paul Thomas Anderson grossed an estimated $683k in week nine from 772
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Refresh for latest…: With an amazing $1.69B worldwide cume through Sunday, Sony/Marvel’s Spider-Man: No Way Home has become the No. 6 film ever globally, passing Jurassic World ($1.67B) and The Lion King ($1.662B) to get there. This includes a running $970.1M from the international box office, which should portend an eventual $1B overseas gross — and without a China bump. Domestic is at
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A specialty market dotted by holdovers as Oscar nods approach and gripped by Sundance fever debuts a compelling handful of new openers from Korean director Hong Sang-soo’s Introduction to Bhutan’s first ever entrant on the Academy Awards International feature shortlist, to a Ukrainian coming of age story and a Queen Latifa-starrring family film Tiger Rising
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Universal Pictures’ Billy Eichner romantic comedy Bros has moved from August 12 this year to September 30. The news comes after Paramount today moved Tom Cruise’s Mission: Impossible 7 from that September 30 date to July 14, 2023. Bros is the only major studio release on September 30, the weekend before Sony/Marvel’s animated Spider-Man: Across the Spider-Verse
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EXCLUSIVE: To kick off the 60th anniversary of James Bond this year, MGM and EON are re-releasing No Time to Die in Imax nationwide this Friday, Jan. 21. There will be an exclusive Q&A event featuring Daniel Craig, director Cary Joji Fukunaga, and producers Michael G. Wilson and Barbara Broccoli broadcasted ahead at select Imax screenings. No
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Universal, Blumhouse,  Atomic Monster and Divide/Conquer AI thriller M3GAN, starring Allison Williams, will hit theaters on Friday, Jan. 13, 2023. Uni already had the date reserved with Warner Bros also having an untitled movie and Sony with J.C. Chandor’s Kraven the Hunter already on that weekend. Directed by Gerard Johnstone (Housebound) with a script by Akela Cooper (Malignant,
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MGM and Eon Productions’ No Time to Die has come to represent something greater than just simply Daniel Craig’s final turn in the tuxedo. Say what you will about Tenet, but No Time to Die‘s long path and long wait to the big screen serves as a symbol of the survival of theatrical releases; a rising phoenix for
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