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Aficionados of folk music and singer/songwriter material will gravitate to Australian Jason Freddi’s work. A seasoned veteran of regional band projects and possessing a daring imagination, Dreaming Australia is his first solo release and won’t be the last. His work with multi-instrumentalist and producer Isaac Barter gives the nine song collection a consistent and unified vision seldom
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Austin Avenue’s record Little Boy’s Cards is a revelation in the Americana music scene, inviting even the most unsuspecting listeners into a world brimming with heartfelt storytelling and captivating melodies. Released on May 1st, this album defies the boundaries of genre, proving that great music transcends preconceived notions and TikTok’s algorithms. In a world where
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Ranzel X. Kendrick, otherwise known as Alias Wayne, comes by his art honestly. The Texas native, now living in Costa Rica, is the nephew of country music legend Roger Miller, songwriter and singer of countless Nashville classics, and his early forays as a fledgling musician and songwriter are full of lessons derived from his uncle.
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Indie rock fans don’t need to be told about the deficit in mainstream talent that their favorite genre has been experiencing lately – if you turn on the radio, you’re going to notice. From one end of the rock n’ roll lexicon to the next, it often feels like some of the best artists in
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Bill McBirnie has carved out a richly deserved reputation as one of the finest flutists of his generation. It hasn’t stopped him, however, from continuing to explore the limits of his creativity and, in collaboration with electroacoustic player Eugene Martynec and piano player Bill Gilliam, his recent output ranks among the finest in his career.
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Colin Dieden writes about a plethora of little hurts scarring the songs on his new Alt.Pop solo project album, Lovely Hours. The sanguine disappointments of everyday life, the internalized pressures of wrestling with identity, and cure-alls for emotional maladies that ultimately prove transient and superficial. The songs he’s written for Lovely Hours lay his little hurts bare. He never flinches
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Lyrics can both tell us a story and offer us deeper insight into the emotional depth of the person composing them, but in the new single from Leo Sawikin, the aptly-titled “Hold On,” they undisputedly do both. Sawikin relates to the listener in poetic terminology on the conventional level only when it is convenient to
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While there’s no denying the wealth of the instrumentation that Daniel Grindstaff presents in his new single “Three Arrows” collectively, if there’s one element worth singling out in a breakdown of this track, it’s likely the sterling banjo parts. If you’re as much a fan of indie music as I am, you’re already aware of
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When a musician manages to release a few well-received LPs throughout their career, history tells us that everything we need to learn about the depth of the player’s craft can be found in the tracklist of the first and last of this set. Enter Sasha Leonov’s Nomad; in his latest release, the noted singer/songwriter is committed
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When you’ve got as unique a sound as Elektragaaz’s, it can be difficult to fit all of the monolithic power of your music into a single disc, but even with that being the case for most artists, the underground band still manages to pull off such a feat in their new EP Your Own Private Cinema Part 1. Your
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Scores for television programs and movies are all too often an unappreciated musical genre. We take them for granted. Remove these musical pieces from the aforementioned mediums, however, and you’d notice their absence fast. Such scores enhance the dramatic bent of programming and narrative alike and the best composers in that style tailor their music
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