Movies

Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at

Death, taxes, and films that bomb at the box office. Such is life in Hollywood, and at the end of the day, the estimated $147M loss which is expected for Disney Animation’s Strange World isn’t spilt milk to cry over for the entertainment conglomerate. The bombing of the Thanksgiving family title, with a $28M global

In its third weekend, Disney/Marvel’s Black Panther: Wakanda Forever continued to reign at the global and international box office. With a $32.1M offshore frame (-53%), the sequel has an overseas total of $308M for $675.6M worldwide through Sunday. Before we look more closely at the hold on Wakanda Forever, however, attention turns to Disney’ new

James Norton has been set to lead the West End stage adaptation of Hanya Yanagihara’s bestselling novel A Little Life. Shortlisted for the Booker Prize in 2015, the emotional story follows four college friends in New York City. Ivo van Hove (Network, Hedda Gabler) is directing the 12-week run at the Harold Pinter Theatre which

Laura Poitras’ Venice Golden Lion-winner  All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2. Presented by Neon, this is the story of internationally renowned photographer

The long awaited James Cameron sequel to the highest grossing movie of all-time hit tracking this morning with a projected opening of at least $150M. Tracking has it higher near $175M, but rivals are bullish at $200M. Here’s the thing — the pic is being comped against holiday fanboy titles, and the numbers that are

Exhibition stocks were up today on news from Bloomberg that Amazon is going to commit a reported $1 billion to theatrical releases annually. We hear that such a plan is truly in its early days — read Amazon doesn’t have an executive yet to lead MGM theatrical. Capisce? Since Amazon bought MGM, it has been

Editor’s note: Deadline presents the 41st episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for

WEDNESDAY AFTERNOON: Early figures and take the 3-day and 5-day with a grain of salt as projections are always off at this point in a Thanksgiving stretch. Disney/Marvel Studios’ Black Panther: Wakanda Forever is leading today with $9.5M, even with yesterday and a $50M Wednesday through Sunday outlook. However, Strange World, as we thought, it

Call it a holiday tradition as common as sweet potatoes on the Thanksgiving table, but Disney is going to rule the five-day holiday stretch again after wins in 2016 (Moana), 2017 (Coco), 2018 (Ralph Breaks the Internet), 2019 (Frozen 2) and last year (Encanto), as Black Panther: Wakanda Forever‘s third weekend looks to do $40M

EXCLUSIVE: Magnolia Pictures has snapped up North American rights to the Toronto Film Festival closing-night film Dalíland from Mary Harron, Deadline has learned. Oscar winner Ben Kingsley stars as the titular Salvador Dalí, and Ezra Miller plays the younger version of the world-renowned 20th century artist. Magnolia plans a theatrical release next year. Dalíland tells

EXCLUSIVE: Sam Mendes has picked Johnny Flynn (Emma, Beast), Tuppence Middleton (Downton Abbey, Mank) and Sherlock’s Mark Gatiss to portray legendary stars Richard Burton, Elizabeth Taylor and John Gielgud in The Motive and the Cue, a mouth-watering new play by Jack Thorne that explores how acting giants Burton and Gielgud staged Hamlet on Broadway in

Among those quite happy with the re-installment of Bob Iger as Disney’s CEO was exhibition giant, AMC’s Adam Aron, who took to Twitter in the wake of the news exclaiming, “Based on box office grosses, Disney is the biggest film maker of any movie studio. Bob Iger coming back to again lead Disney as its

Refresh for latest…: In its sophomore frame, Disney/Marvel’s Black Panther: Wakanda Forever sent its worldwide cume well past the $500M mark, with an estimated $546.3M through Sunday.  The split is $288M domestic and $258.3M from the international box office. The Ryan Coogler-directed sequel is currently the No. 8 highest-grossing Hollywood release of 2022 overseas. Globally,

Luca Guadagnino’s Timothée Chalamet-starring, edgy cannibal road trip romance Bones And All pulled in young demos (79% in the 18-34 rage) and women (54%-46% female) for an opening weekend gross of $120k, or $23.9k per screen average in five theaters. That’s respectable and in line with distributor UAR expectations although below recent debuts including Banshees

A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens doc Love, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is

“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them

EXCLUSIVE: Searchlight’s absurdist genre horror comedy got off to a promising start with $1M+ in Thursday night previews, we hear. That number is up there with recent comps such as Barbarian, which did $850K on its Thursday night before a $10.5M opening, and The Northman, another Anya Taylor-Joy movie, which posted $1.35M before a $12.2M

Editor’s note: Deadline presents the 40th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for

EXCLUSIVE: The 3x Gotham Award nominated drama from Sarah Polley is moving its exclusive opening date from Dec. 2 to Dec. 23, that weekend when moviegoing ratchets up after moviegoers get through their holiday distractions. United Artists Releasing’s Women Talking follows women in an isolated religious community who are grappling with reconciling a brutal reality