The success of Hocus Pocus 2 as the most watched Disney+ movie of all-time with a first weekend of 2.7 billion views viewed spurred many to question whether the sequel to the near 30 year old movie should have gone theatrical, especially during a dry spell at the fall box office when theaters were desperate
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Strengthened by the worldwide release this past weekend of Disney/Marvel’s Black Panther: Wakanda Forever, the Walt Disney Studios has crossed the $3B box office mark globally for the year so far. This is the 14th year that Dis has achieved the milestone and surpasses last year’s full total of $2.9B. Films that have contributed to
EXCLUSIVE: Streaming stat sources tell us that the Olivia Wilde directed movie, Don’t Worry Darling, has pulled in roughly 2.7M households in both Smart TVs and mobile viewing in its first week on HBO Max. The Florence Pugh-Harry Styles-Chris Pine movie hit HBO Max after a robust 53-day theatrical window and a global gross of
The fruits of Disney’s industry-reported $100M+ promotional partner campaign on Black Panther: Wakanda Forever have been yielded, not just in a November U.S./Canada box office opening record of $181.3M and 12.7M admissions but in stoking a diverse range of demographics including Black, Latino/Hispanic and older women to cinemas in droves this past weekend. The media
The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed
Two of the fall Broadway season’s buzzy new musicals – A Beautiful Noise, The Neil Diamond Musical and Some Like It Hot – began previews last week, both doing solid business in their first, partial weeks. A Beautiful Noise pulled in an impressive $845,074 for five performances, filling 88% of seats at the Broadhurst with
Imax CEO Richard Gelfond is opening up about how important the theatrical window is and how he thinks some streaming services are realizing it now. “The debate is over,” Gelfond said in an interview with Yahoo Finance Live. “The argument that you can skip a theatrical window and make up for it on streaming just
Editor’s note: Deadline presents the 39th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
Universal Pictures is giving Steven Spielberg’s The Fabelmans a platform release starting with four locations in NYC (Lincoln Square, Union Square) and LA (The Grove, Century City) with a robust media campaign aimed at cinephiles, but also capitalizing on the broad appeal of a Spielberg production, testament to unusual pedigree of the semiautobiographical film. It premiered in
As expected, Disney and Marvel Studios Black Panther: Wakanda Forever is on fire with a $28M Thursday which easily beats the preview night of the first Black Panther in 2018 which did $25.2M. Wakanda Forever ranks as the third best Thursday preview of the year behind Doctor Strange in the Multiverse of Madness ($36M) and
Nickelodeon Animation and Paramount have set 2025 theatrical release dates for a new SpongeBob Squarepants movie and Aang Avatar title. The fourth SpongeBob big screen feature will debut in cinemas on May 23, 2025 while Aang Avatar will open on Oct. 10, 2025. To date, the three SpongeBob movies, the first which kicked off in
Disney/Marvel’s Black Panther: Wakanda Forever got out to a $10.1M start in 17 international box office markets on Wednesday. This is ahead of continued offshore rollout through Friday and the sequel’s domestic debut on Friday (domestic previews start Thursday). In like-for-likes, the first day overall results are estimated to be 225% ahead of Black Adam,
Good news exhibition: Sony is moving up Missing from Feb. 24, 2023 to Jan. 20, 2023. That’s the weekend after the long MLK holiday frame and the only other wide release is an untitled Crunchy Roll film. The movie is the next installment in the Searching franchise and stars Storm Reid and Nia Long. Missing moves away from
Advance ticket sales through Sunday for Disney-Marvel Studios’ Black Panther: Wakanda Forever stand at $45M, about 20% behind Doctor Strange in the Multiverse of Madness at the same point in time and 40% ahead of Thor: Love & Thunder. Doctor Strange 2 before its domestic opening of $187.4M had $85M in advance sales, while Thor:
UPDATED with conference call comments: AMC Entertainment CEO Adam Aron shrugged off Covid, streamers and windows as real issues for exhibition currently, saying the biggest challenge facing the industry “above all else, is that movie theater operators need more movies.” “At this point, there is only one topic that should be… on the tip of
Rock documentary Meet Me In The Bathroom grossed $85,683 in four locations for a per screen average of $21,421 in week one, a milestone for the indie distributor. Two of four screenings were one night only, sold-out events at The Fonda in LA and Webster Hall in NY (live performances by The Moldy Peaches, Adam
The nation’s biggest cinema advertising network National CineMedia saw revenue rise and losses narrow last quarter as executives cited brisk sales of movie theater ads and insisted that it’s business as usual fo now, even as part owner and major client Regal is swept up in bankruptcy. “From our perspective, nothing has changed on a
Warner Bros/New Line/DC’s Black Adam handily crossed $300M global this frame, landing so far at $182.3M from the international box office and $319.7M worldwide. The movie has seen some strong holds both domestically and overseas in its first weekends, down just 35% offshore this session, but will be cut short when Black Panther: Wakanda Forever
In anticipation of its release this coming week, Disney/Marvel’s Black Panther: Wakanda Forever continued its promotional tour with a historic premiere in Lagos, Nigeria on Sunday evening. This was a major event — and the first time a Marvel movie has held a premiere locally — with a large group of talent, filmmakers and press
Paramount’s Parker Finn-directed horror pic Smile has laughed all the way past the $200M mark worldwide. After six weeks in release – and with scary strong holds – the split through Sunday is $99.1M domestic and $103.8M from the international box office for a global cume of $202.9M. This original movie has positively beamed with
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