Chadwick Easton

Live albums are different. There’s no cushion between artist and audience; it’s all meat and potatoes personality, at least when it’s recorded the way that Brandon James fashions his new extended play Soul Sessions Live this autumn. Rather than toying with the kind of synthetics that have become rather commonplace in the pop genre over the past
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What is the most daring part about releasing new music? Releasing something you created is always a bit daring, because you’re sharing a part of yourself with the world. It is both vulnerable and exhilarating to share. Being a singer/ songwriter, what is a learning curve you had to learn about the two? The wonderful
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Joe Piket’s new single “Talk Like a Musician” is an anomaly in the Long Island, New York singer/songwriter’s career. Piket has built his reputation as a superb live performer on his own and as front man for Joe Piket and the Storm, but his songwriting has drawn attention for its stylistic breadth, fresh twists within
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Are you making any rounds with testing out new music on the road? Absolutely! Most of my live set right now is unreleased music. I’ve been able to test it out by opening for Snoop Dogg, Ubbi Dubbi, and playing all around Nashville. What stories do you want to tell in your upcoming music? I
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Your music is really thoughtful. How long do you contemplate what the subject matter will be? Thank you. That means a lot to me! Usually, if I think too long and hard about a subject matter, I start over analyzing and the magic is gone. At the end of the writing process is usually when I
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Hello! Thank you for speaking with me today! Thank you so much for having us. You recently released your debut EP ‘Magnum’! Will you tell us a bit about it? Yes, of course. We’re very proud of our first project. We went into the creating process just wanting to make good music. We wanted to
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If you’ve got the pipes Leo Sawikin does, creating an underwhelming harmony just isn’t a possibility, especially when it comes to songs like Row Me Away’s “Tell Me There’s An Answer.” In tracks like this one, the title cut, and “A Whole World Waiting,” Sawikin’s Row Me Away presents us with a weaponized lead vocal from the
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There’s something distinctly folky about the casual strut of the strings in the opening bars of Bard’s Flying Vessel’s “Cut in Half,” and yet the electricity of the melody – and, for that matter, the instrument it originates from – grounds the foundation of this song in utter neurosis. The guitar parts here are restless
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You recently released your song ‘Elaine Benes’! Will you tell us a bit about it? BP: Absolutely! I’m a big fan of the tv show Seinfeld, and I wanted to make a Seinfeld song that took place in modern-day. So for this concept, both characters are in their 60s and Jerry Seinfeld is professing his
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Your music is really thoughtful. How long do you contemplate what the subject matter will be? That’s incredibly kind, and I purposefully try to have a lot of emotion, thought and connection go into every song I write.. that’s so kind!  I typically try to write songs as a form of reflection or therapy.  So
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How would you classify your music? Bruce Jones and I record what is fundamentally Brazilian-oriented music. Our new release, Forever (https://billmcbirnie-extremeflute.bandcamp.com/album/forever), is our third Extreme Flute project. The earlier two we did were (1) Desvio (https://billmcbirnie-extremeflute.bandcamp.com/track/desvio) and (2) Grain of Sand (https://billmcbirnie-extremeflute.bandcamp.com/album/grain-of-sand). Bruce was raised in Brazil, and because he does most of the writing
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While they’ve got a litany of attributes that could be credited with their ongoing success among CCM and hybrid country music fans in recent years, I think that the vocal component of Lavendine’s sound is their greatest weapon in the war on modern mundanity. Rather than giving us the same kind of harmonies that a
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