Chadwick Easton

If the new song “Regeden” were a movie, it would be a Terry Gilliam-style piece. The peculiar and dramatic tones, courtesy of Switzerland’s Johanna Rittiner Sermier, has an undeniable imprint that it leaves on the listener. Where other songs may leave a tattoo or hook the lister with a catchy chorus, it’s Reittner Sermier’s haunting,
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Songs from the Land is Luis Mojica’s third album release following on the heels of the David Baron/Simone Felice produced collection How a Stranger is Made. Mojica’s work marks him as a true iconoclast in a musical world obsessed with surfaces and material success. There is no question Mojica would continue writing songs even if he never
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Los Angeles’ Chris Wills proves he’s prime time ready with the sparkplug “All American”. Bursting with energy and a catchy chorus that doesn’t lose its grip, “All American” is the pop rock track we’ve been patiently awaiting for all of 2021. Inspired by a dream that will never die, “All American” roots itself even further
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It is all but impossible to dislike Ed Roman’s new single “Happiness”. The popping creativity audible throughout this song has a contagious positive feel, an infectious optimism that, nevertheless, isn’t Pollyanna fluff. Ed Roman’s target audience, consciously or otherwise, are music devotees rather than casual listeners and his past songwriting reflects this. Cuts such as
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Album rollouts can be a tedious art form, entirely reflecting the structure and message of an impending album within a PR landscape while giving spotlight and focus to a select few singles that will undoubtedly do the heavy lifting for most casual listeners in a musical artist’s audience. The distinction of an album single doesn’t
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With Prix6 and Charles King in the booth for good measure, Monsieur Job redefines the parameters of a slick Latin hip-hop groove in the song “Ese Tumbao – Remix,” but much as it is in the more rock-inspired “Malevo Maleva,” the vocal harmonies are a bit more transcendent than the percussive frills are. “Da Funk”
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Concept albums, once a relatively common phenomena in popular music, are scant nowadays. Listeners, moreover, associate the form with sprawling theatrically inspired releases and not condensed fare like Little King’s Amuse De Q. Its brevity, however, isn’t unsatisfactory. It’s driven by the deceptive economy of the band’s songwriting, handled by front man and guitarist Ryan Rosoff, rejecting
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Reggae’s modern stars would likely be called too experimental to have run with a lot of the preceding generation of leading players, but that said, there’s something really special about what’s going on in the genre right now, and artists like the independent Robert Minott are the reason why. Instead of leaning in on a
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There’s a certain pressure with a live album. Music like any strong art form is built on illusion. A magic trick of expression and convincing your listener that they’re on the same page as the singer and narrator. Live albums separated from the concert experiences often seek to remove the artificial and encompass the soul.
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