“LMBT1” is the forthcoming single by Seattle-based Electronic Dance duo, Sugar Addikt. The single is from what will be their soon-to-be released album, that is still unnamed as of this writing. The duo currently consists of Vocalist, Vanessa Littrell, and Musician/Backing Vocalist, Mario Inchausi. Both have extensive backgrounds, and show an affinity for performance and
Chadwick Easton
Instrumental albums with this sort of diversity aren’t written and recorded with ideas of scoring big time in fame’s great lottery. They are, instead, planned, written, and recorded as labors of love. For artistic and communal, if they find an audience, value alone. Meteorange’s Bubble 1 is the first in a planned series of releases, but such
There’s a jagged edge to “Dreams” that just might cut you if you’re listening to it long enough, but if you think this is the lone example of imposing musicality to be found in the new record from Andrea Plamondon, Songs for Forever, you’re in for quite the surprise this July. Rather than streamlining tracks
Born in New Bern, NC and raised down a 7 mile dirt road deep in the woods, Chris Hollacheck grew up in the kind of setting you’d picture being in a country song. His musical journey started very early when he learned cello at 3 years old! Chris has also played piano, trumpet, baritone, and
How would you classify your music? I am operatically trained, but have written and performed music in various genres including progressive rock, pop rock, Celtic rock, Middle Eastern, classical and electro pop and pop rap. Who are some of your top 5 musical influences? The Beatles, Dead Can Dance, the Eurythmics, Pavarotti, and Nusrat Fateh
Nostalgia can be a great motivator, both for musicians and men who think they’re destined to invent the time machine; there’s a double-edged sword when it comes to living in the past through memories and knick-knacks, of course, but for the most part, nostalgia does an exceptional deal to propel good ideas towards greatness. Heading
When three cousins form a band, the results can generally be a mixed bag. Working with family can either make or break any project, at least based on my time around the extended family during the holiday season, so when a band pops up on the radar that is comprised solely of family members, I’m
I believe Rebecca “DawgGone” Davis woke up one day and said, “Fuck it, I’m doing it.” I’m sure she thought for years about writing, recording, and releasing her own songs, but life has a way of either creating ready-made excuses to ignore that voice calling us from over the distant hill or else throwing up
Alec Blake’s techno is already well on its way toward establishing him as one of the genre’s brightest creative talents. The single “I Believed In You” mixes together many of the best elements defining techno, but dance and pop as well, into a seamless musical package. It is an expression of personal disappointment in a
Jason Bennett brings home the “Cows” on his new full length album with something to talk about at every turn, and a surprise or two here and there. Having said that, I’m just getting to know this artist and like what I’m hearing so far, with Cows sure to lead me back to his first
Good things take time, sings the perky Christen Cooper in the new track, “That Kind Of Guy”. Co-written with Karen Kiley and Steve Smentek, “That Kind Of Guy” is Cooper’s latest release. Born and raised in the Intermountain region U.S.A, Cooper is quickly establishing herself to being in line as one of Nashville’s next big
A New Heart from Kevin Thomas Band is a transformative pop-rock-Americana record. Packed with rich, amber-like acoustic guitar and bright electric guitar shapes, A New Heart rapidly makes its way to the listener’s heart. This album, flush with California tones, also contains a healthy mix of soulful organ and some groovy, breezy beats. Based in San Diego, Thomas
Better Days is the new EP from Chris McCooey. Combining the heartfelt guitar melodies of yesteryear with a new blend of rock and pop, fans of any genre will be moving along to the six songs McCooey has so carefully crafted. Standouts like “Fade To Black” and “We Found Love” come later in the EP, but
Modern indie can be whatever you want it to be. That’s kinda the magical thing about the current state of music, anyone can make anything and if it’s good, it finds its audience. For the eclectically-monikered CrashMonkeys (one word, Capital-C, Capital-M), they’re about as indie as they come. Based out of the lovely, beautiful Santa
The art of choosing a band name is as vital as the art of actually crafting music; there’s plenty of debate as to what makes or breaks the ruling on a good band name versus a bad band name, but the fact of the matter is this: when you know, you know. For Melbourne’s alt-country
The Chillbumps’ Welcome to Our Arbor Day Fair was released over three decades ago but sounds like it could have been written and recorded yesterday. It was uncommon, despite REM, for a proto-alternative act to emerge out of the Deep South, but the Alabama five-member outfit never got the memo. Instead, the five one-time Auburn University students
Tell us about your latest release! My latest release my album “21Dayz” official release April 22nd. It is a an singer/songwriter indie country blues album. It contains songs about love, perseverance, hope, longing, joy, sadness, relationships, justice, and life. What was the creative process for it? The album began during COVID although the idea for
Having the right voice to sing your song is everything when trying to launch a career in pop music, and although I hadn’t been listening to him before hearing the new record Let the Day Decide, there’s no question that George Mallas has the proper pipes for this medium. Songs like Let the Day Decide’s
When breaking into the psychedelic rock community as an artist, there’s not exactly a blueprint on how to do it or from where to draw inspiration. For Cardiff-based psych artist WoodooMan, the best process is to just jump in headfirst and work out the kinks in the process. Iwan Ap Huw Morgan got his start
Project Grand Slam’s reputation as an absolutely commanding live band capable of blowing audiences away unexpectedly plays in their favor with their new single. “All of the Time” eschews their customary full-band attack for a much more intimate sound, as layered as ever, but possessing an added emphasis on melody. Not that melody is ever
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